EOS R50 V + RF-S14-30mm F4-6.3 IS STM PZ Lens Kit
- Enjoy interchangeable lens video shooting with the first EOS V series camera body.
- Highly versatile RF-S14-30mm F4-6.3 IS STM PZ lens (approx. 35mm equivelant of 22-48mm) is included to deliver reliable, speedy and quiet wide-angle performance, making it an ideal lens for video and still creators.
- Built for creators with a redesigned user interface including a Vertical Video tripod mount and Front Record button.
- Slow and Fast mode – this allows creative control of the video frame rate and playback speed.
- 24.2 MP APS-C CMOS Image Sensor with DIGIC X Image Processor with up to 4K Crop 59.94p, 4K 29.97p full-width and Full-HD full-width 119.8p recording.
- Impressive Dual Pixel CMOS AF II tracking with Register People Priority and Auto, People, Animal, and Vehicle Subject Detection.
- Advanced Video features such as Canon Log 3, HLG, PQ, 709 Recording, False Colour and Zebras.
- Easy to use Automatic Exposure and Scene modes such as Movie for Close-up demo, Smooth Skin and Movie IS mode, as well as Colour Filters.
- Multi-function accessory shoe with support of LPCM 24bit/4ch audio.
- 2.4Ghz and 5Ghz band Wi-Fi and four different built-in Live streaming modes for easy connection to your audience.
In the box
- EOS R50 V Mirrorless camera Body
- RF-S14-30mm F4-6.3 IS STM PZ Lens
- Camera Cover R-F-5
- Battery Pack LP-E17
- Battery Charger LC-E17
- Neck Strap EM-200DG
- Lens Cap E-58 II
- Lens Dust Cap RF
Returns Policy
The Canon store will accept, for return of exchange, defective or unopened merchandise purchased at the Canon Online Store within 30 days of the ship date.
See Return Policy for completed information.
Overview
Step up to interchangeable lens video creation with the versatile EOS R50 V. This APS-C Mirrorless EOS V Series camera lets you take control of your next video production by blending some of the best features of the Cinema EOS and EOS camera lines together. This EOS R50 V lens kit comes with our RF-S14-30mm F4-6.3 IS STM PZ lens - A lightweight, travel friendly, ultra-wide angle to standard zoom lens created with power zooming capability to create beautiful videos.
Features
UI designed for the Creator
The EOS R50 V was designed through creator feedback to solve many of the pain points of creators. Its’ exterior was completely redesigned to be bold, modern, and untraditional in appearance. An appearance that clearly indicates that this camera is meant to be taken with you wherever your videos take you! The convenience and power of this camera goes far beyond portability. Enjoy smooth powered zooming with an on camera zoom lever (for Power Zoom compatible lenses), a 3-micrphone array for clear audio and unwanted noise reduction, and the latest Canon Multi-function shoe to attach and power additional compatible accessories.
Vertically Versatile
As a product made for today’s video content creator, it comes equipped with both a vertical and horizontal tripod mount. These are available on the side of the camera’s grip, and also on the bottom of the camera body. When in Movie mode, the on-screen menu’s automatically rotate based on the camera’s orientation.
Always ready, and never surprised
Since many creators spend a lot of time in-front of the camera, two Record buttons are available, one on the front of the camera so you can start your recording with confidence when vlogging, and another in the traditional Shutter button position when you’re behind the camera. Additionally, it is equipped with a red tally (visible from the front and top of the camera), and an LCD screen that displays a red-coloured recording emphasis border around your LCD image to let you know when the camera is actively recording, so you or your subject are never surprised.
Ready to Create
The EOS R50 V comes equipped with a zoom lever allowing Power Zoom lenses such as the RF14-30mm F4-6.3 IS STM PZ lens to be controlled at the camera body. Control of the zoom speed can be fully customized in the camera’s menu allowing separate control of the speed for before recording, and separately for during recording. The camera also comes equipped with Mic, Headphone, and an E3 Remote port.
Pro look settings simplified
A new mode dial experience now features 7-different video focused modes at your fingertips. Newcomers to video can utilize the fully Automatic video exposure mode functionality, including the Scene mode featuring a dedicated video mode for “close-up demos” perfect for Video, or Small Business Creators doing E-commerce product demonstrations. This mode is ideal for creators who want to present a object close to the lens, and quickly have the focus return back to them. There’s also a mode dedicated to Movie Image Stabilization – for those recording vlogs on the go. And because appearance is important on-camera, a dedicated Smooth Skin movie mode is also included.
Control Time with Slow and Fast mode
New to the EOS R50 V mode dial is the Slow and Fast mode – selecting this mode allows creative control of both the video frame rate and playback speed separately and in-camera, for slow-motion recordings, or fast-motion time-lapse sequences. Simply select your recording resolution of UHD 4K, UHD 4K Crop or Full-HD, then select your frame rate with options as fast as 59.94p in 4K Crop, or 119.8p in Full-HD, then simply determine your playback speed your desiring to match your project.
Create the Colour you want
The EOS R50 V camera is built not just for newcomers to video, but also for advanced creators. High-end features like Canon Log 3, HLG, PQ and Canon709 recording to deliver rich colour at up to 4:2:2 10 bit.
A new Colour Filter mode has also been added providing 14 different colour options, accompanying the well-known Picture Style menu. And now creating cinematic aspect ratio video is easier than ever with the new Cinema View mode, which creates a “letterboxed” cinematic 2.35:1 aspect ratio video.
Focused on you
The EOS R50 V comes with Canon’s powerful Dual Pixel CMOS AF II focusing system, providing tenacious tracking that follows you or your subject when recording or taking photos. Easy to use Subject Detection modes include People, Animals, Vehicles, and Auto mode, allowing high precision autofocus with ease and reliability. The EOS R50 V even has the Register People Priority Autofocus mode found in our flagship EOS R1, EOS R3 and EOS R5 Mark II mirrorless cameras. Simply take a photo of your subject to register them, and they’ll be prioritized over other subjects in the scene based on your ranking, so the important subjects in your videos and photos will be in focus.
For the Stills photographer
As an EOS V-series product, optimized for video, you might think that we forgot about still photography features, but rest assured, we packed lots of incredible image capturing capabilities into this very travel friendly camera. It has a full-fledged “Photo” mode with a host of manual and automatic shooting modes available. With a powerful 24.2-megapixel, APS-C image sensor, a DIGIC X image processor, and as a mirrorless interchangeable lens camera, it is built with the Canon RF mount – allowing the use of over 50-different RF, and RF-S lenses to empower your creativity.
Go LIVE to connect to your audience
This camera also offers tremendous networking capability – offering 5 and 2.4Ghz Wi-Fi, Bluetooth, and built-in Wireless Livestreaming capability via both the Canon Camera Connect app, and the Live Switcher Mobile app. Additionally, its USB C terminal offers USB UVC/UAC streaming for use of the camera as a webcam, and separately an HDMI streaming mode offers a clean HDMI connection to HDMI capture cards and switchers, providing multiple options to connect with your audience. All of these settings can now be accessed through the Live button, but if Livestreaming isn’t your thing, it is one of 8 different customizable video buttons on the camera!
Technical Specifications
Type
- Compatible with UHS-II/UHS-I/UHS speed class/SD speed class
- Eye-Fi cards and Multimedia cards (MMC) are not supported.
Canon RF-S3.9mm F3.5 STM Dual Fisheye lens and RF-S7.8mm F4 STM Dual lens
* When using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses)
Image Sensor
Manual cleaning (by hand) not supported.
Dust Delete Data acquisition and appending
- The coordinates of the dust adhering to the low-pass filter are detected by a test shot and appended to subsequent images.
- The dust coordinate data appended to the image is used by the EOS software to automatically erase the dust spots.
- Not available during focus bracket shooting.
Recording System
* Supports time offset information
Movies:
XF-HEVC S YCC422 10 bit
XF-HEVC S YCC420 10 bit
XF-AVC S YCC422 10 bit
XF-AVC S YCC420 8 bit
* When a movie is recorded with [Add CP file: On] set when [Custom Picture] is active, a “.CPF” file will be created.
Large (L) -- 24.0 MP (6000 x 4000)
Medium (M) -- Approx. 10.6 MP (3984 x 2656)
S1 -- Approx. 5.9 MP (2976 x 1984)
S2 -- Approx. 3.8 MP (2400 x 1600)
1. File numbering methods
a. Continuous numbering'
i. The numbering of captured images continues even after you replace the card
b. Auto reset
i. When you replace the card, the numbering will be reset to start from 0001. If the new SD card already contains images, the numbering will continue from the last recorded image in the card.
2. Manual reset
a. Resets the file number to 0001, and creates a new folder automatically.
* When manually resetting the file number, folders can also be renamed.
(2) Standard
(3) Portrait
(4) Landscape
(5) Fine Detail
(6) Neutral
(7) Faithful
(8) Monochrome
(9) User Defined 1–3
* Picture Style files can be registered to user-defined settings 1–3.
White Balance
(2) Daylight
(3) Shade
(4) Cloudy1
(5) Tungsten light
(6) White fluorescent light
(7) Flash2
(8) Manual
(9) Colour temperature 1
(10) Colour temperature 2 (Approx. 2500K-10000K)*
(11) Colour temperature 2 (Set in 100K increments)
(12) Colour temperature 4
1 Effective also in twilight and sunset.
2 With an EX / EL-series Speedlite having the colour temperature information transmission feature, the colour temperature setting changes to match the colour temperature when the flash is fired. Set to approx. 6000 K if the flash unit does not have the colour temperature communication feature.
* Can also be changed during movie recording when Creative (Movie) Zone is set.
* Colour temperature 1–4 can be switched with [Customize buttons for shooting: Switch colour temperature]
Magenta/green bias: ±9 levels
- Shifted from the colour temperatue of the current WB mode.
- Blue/amber and magenta/green shift can be set at the same time. (WB Bracketing not supported)
Autofocus
Stills: Max. 651 zones (31 x 21)
Movies: Max. 527 zones (31 x17)
Stills: Max. 4503 positions (79 x 57)
Movies: Max 3713 positions (79 x 47)
* Except RF lenses with a Defocus Smoothing (DS) coating.
* Except RF lenses with a Defocus Smoothing (DS) coating.
- 1-point AF
- Expand AF area: Above/below/left/right
- Expand AF area: Around
- Flexible Zone AF 1
- Flexible Zone AF 2
- Flexible Zone AF 3
- Whole area AF
- People
- Animals (dogs / cats / birds/ horses)
- Vehicles (motorsports cars / motorcycles / airplanes / trains)
* Certain types of animals or vehicles may not be detected, depending on shape and appearance
- Selects the eye closer to the camera (as detected from the angle of the face).
- At the same distance from the camera, selects the eye closer to the center of the AF area.
Left/right eye detection: Supported (refers to subject's left/right eye)
Customization
Exposure Control
(1) Evaluative metering (AF point-linked)
(2) Partial metering (approx. 5.8% of the area at the center of the screen)
(3) Spot metering (approx. 2.9% of the area at the center of the screen)
(4) Center-weighted average metering
* Movie recording: Evaluative metering only
Movie Recording: EV -2.5 to 20 (4K) / EV -3.0 to 20 (Full HD)
- Full Auto (A+), P, Tv, Av, M
- Self-portrait, Portrait, Smooth skin, Panoramic shot, Food, Handheld Night Scene
Movie recording:
- Movie auto exposure, Shutter-priority (Tv), Aperture-priority (Av), Movie Manual exposure
- In One-Shot AF mode, AE is locked as soon as subjects are in focus.
(2) User-applied AE lock
- By using the AE Lock button in P, Tv, Av, and M mode. Toggling: Press again to cancel and once more to refresh.
Enabled in all metering modes.
Shutter
(1) Electronic first curtain
(2) Electronic shutter
* When set to [Electronic], the camera makes no mechanical shutter sound. (An electronic shutter sound can be configured in [Beep] and [Volume: Shutter volume]). Note that the camera may make sounds other than the shutter release sound, such as sounds for aperture adjustment or the lens focus drive, or beeps. Moreover, using long exposure noise reduction with shutter speeds of 1 sec. or longer involves a mechanical second-curtain shutter, which produces a mechanical sound.
* Bands of light may be displayed and captured images may be affected by light and dark banding when shooting under fluorescent lighting or other flickering light sources with the camera set to [Anti- flicker shoot.: Disable].
Electronic shutter: 1/8000th sec – 30 seconds, in 1/3-step increments
Image Stabilization (IS mode)
(lens optical Image Stabilization supported)
External Speedlite
- Optional Canon AD-E1 adapter required for conventional shoe-mount flashes and accessories
- No traditional flash contacts on accessory shoe
HDR Shooting
- HDR mode (final image composited from three initial images)
- HDR PQ and HDR can be combined
Disable / Enable
* Can be used in conjunction with Auto Lighting Optimizer.
* Cannot be set for XF-AVC S YCC420 8 bit
Video Shooting
4K Crop (3840 x 2160; not oversampled)
Full HD (1920 x 1080)
Canon Log 3
PQ (HDR PQ; BT.2020
HLG (BT.2020)
BT.709 Standard
Vertical tripod socket on grip side of camera
Auto Level display available during video recording
- Noise detection microphone (for AF focus drive noise, white/floor noise)
- 16-bit/2 CH or 24-bit/4 CH recording possible (2 channel for built-in mic)
- 48 kHz sampling frequency
3.5mm stereo mini-jack (3-pin) for external mics
Digital mic input at Multi-function Shoe (Canon DM-E1D Stereo MIcrophone, etc.)
Auto or Manual sound recordinglevels (64 manual levels available)
3.5mm Headphone terminal (stereo mini-jack)
S & F (Slow & Fast recording mode): 120p, 60p, 30p, 12p, 6p, 3p
- User-selectable playback speed: 23.98p, 29.97p, or 59.94p
- Full HD only
- Audio not recorded
LCD Screen
2.95 in./7.5cm diagonal (2.44 in./6.2cm width, 1.65 in./4.2cm height)
Anti-reflection coating not provided.
Playback
- cannot be user-enabled or disabled
Quick Control Function
Three options during video recording:
- Q1; Q2; Q3
- Display position selectable in Q1
- User-selectable in red Shooting Menu* When [Q]1 is set, [Lock disp. position: Enable/Disable],
[Disp. position: Align right/Align left], and [Vertical position: Align top/Align bottom] in [Quick Ctrl disp position] are settable.
Image Protection and Erase
(2) Select range
(3) All images in a folder
(4) All images on card
- Image browsing and image search can be based on ratings.
- Ratings-based image selections also possible with DPP.
(5) All found images (only during image search)
(1) Select images to erase
(2) Select range
(3) All images in folder
(4) All images on card
(5) All found images (only during image search)
Direct Printing
DPOF: Digital Print Order Format
Wi-Fi®
OFDM modulation - CSMA / CA (IEEE 802.11g/n/a/ac)
- Frequency: 2412 to 2462 MHz
- Channels: 1 to 11 channels
5.0 GHz band
- Frequency: 5180 to 5825 MHz
- Channels: 36 to 165 channels
(2) Infrastructure mode
- Remote control of the camera using a smartphone is possible depending on the Camera Connect specifications.
- Images can be sent to a smartphone.
- NFC connection: Not supported
- Supported images: JPEG, HEIF, RAW/C-RAW, MP4 video files
- Transcoding while sending: Size to send (original / reduced size); Quality to send (original / compressed)
From image.canon, images can be sent to specific social media and 3rd-party cloud image services.
Bluetooth®
Video Calls / Streaming
* The camera is accessible to software (such as Zoom™, MS Teams™, Skype™, etc.) on a computer once connected via USB.
* Connect devices (smartphone) to multiple cameras via Wi-Fi, the actual video to be streamed can be selected/switched using the app while streaming. Streaming is possible with YouTube, Facebook, etc.
* Connect devices (PC, external screen, video switcher) and the camera with an HDMI cable. Using apps such as OBS Studio, streaming is possible with Teams, Skype, YouTube, Facebook, etc.
* Connect devices (smartphone) and the camera with Bluetooth, set up streaming, then stream via Wi-Fi. Streaming is possible with YouTube, Facebook, Twitch, etc.
Interface
- For PC communication / smartphone communication (Live streaming not possible through USB)
- Terminal type: USB Type-C
- Shared with terminal for in-camera charging with USB Power Adapter PD-E1.
* HDMI CEC not supported
* Images not displayed unless [For NTSC] or [For PAL] is set correctly for the TV video system
Power Source
- Battery charger: Canon LC-E17 charger; supplied with camera
- With the AC Adapter AC-E6N + DC Coupler DR-E18, AC power is possible (AC Adapter Kit ACK-E18 can also be used).
- USB Power Adapter PD-E1 or PD-E2 supports in-camera charging of Battery Pack LP-E17 when the camera is turned off and can supply power when the camera is turned on.
- Based on CIPA testing standards.
Accessories
- Multi-function Shoe Adapter AD-E1
- Canon EX-series speedlites (all, using AD-E1 adapter)
- Canon EL-series speedlites (EL-1 requires AD-E1 adapter)
- Speeedlite Transmitter ST-E10
- Speedlite Transmitter ST-E3-RT (version 2) — requires AD-E1 adapter
- Off-camera Shoe Cord OC-E4A and OC-E3 (requires AD-E1 adapter)
- Directional Stereo Microphone DM-E1D (direct connection to M.Fn shoe)
- Directional Stereo Microphone DM-E1 (connects via microphone socket)
- Stereo Microphone DM-E100 (connects via microphone socket)
- Remote Switch RS-60E3
- Timer Remote Controller TC-80N3 (requires Remote Controller Adapter RA-E3)
- Wireless Remote Control BR-E1
- Smartphone Link Adapter AD-P1
- Tripod Grip HG-100TBR
Dimensions and Weight
Based on CIPA standards.
Body only: Approx. 0.71 lbs (323g)
Operating Environment
Warranty
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